I've been pretty much artistically devoid lately (and then some), but fortunately good ol' music and the inane, uninteresting ramblings she imparts with me keep this blog turd afloat. Before we get to that album on the left, though, lemme tell you about an album tying my knickers in a troop-leader impressing knot - Joanna Newsom's new full length, Have One On Me; a godblessed TRIPLE ALBUM of new material. What other modern artist can you think of released a 3XLP in recent years? I know it's already leaked (and released in stores, too!), but with my iron will, I'm holding out til' I can acquire it in it's most prim and prose incarnation - wax. This'll mark my 4th album exceeding 2 discs, with the other two being Sun City Girls' Dante's Disneyland Inferno and 330,003 Crossdressers From Beyond The Rig Veda, as well as Bastard Noise's truly monstrous 5XCD(!!) Our Earth's Blood IV (which I'll be covering in a future entry).
But enough about ridiculous excess, let's focus on that enigmatic album in the corner. To be honest, I don't know much of anything about these guys (and can't really find anything, either), so I'll keep this short. Goma & The Jungle Rhythm Section are apparently a side project of the band's leader and didgeridoo player, Goma, with this being the first of currently 2 full length albums. Urm... here:
In the 1998 Arnhemland Barunga Didgeridoo Competition, Goma received The Northern Land Council prize (judged by Galarrwuy Yunupingu), surprised audiences by being the first non-Aboriginal to be recognized. Since that time, as a solo player, session musician, and band member, he has steadily increased his audience by consistently striving to innovate and expand his musical horizons.
...that was posted on the JPOP Lover blog, and is only available information I could find about this dude in English. The music itself isn't much easier to describe, though... it's tribal. Very rhythmic and pounding, likely featuring lots of homemade percussion (again... "likely")with the didgeridoo warbling in it's earthy tones all over the record. It's all instrumental, and while I wouldn't call it "danceable", it's definitely moving. But ENOUGH weak descriptors: this stuff kicks some supple ass. It's certainly not the most varied, but it's got a lot of punch, and if nothing else, is a perfect oddity for your collection. Czech it: